Don’t Blame Science Fiction for Hollywood’s Race Problem

Flavorwire

Does sci-fi have a race problem? If you’re The Atlantic, the answer is yes — yesterday, the magazine’s website ran this piece, wherein writer Noah Berlatsky argues that there are essentially four ways in which sci-fi handles race: metaphor, tokenism, diversity, and explicit narrative. It’s ambitious to try to construct a definitive thesis about an entire genre’s handling of race, especially a genre as diverse as sci-fi, and judging by the article’s mammoth comment section, which is basically like 500-plus comments by Roman DeBeers, Berlatsky has touched a nerve. I don’t want to tear him down here, but I do want to note one fundamental flaw in his thesis: it works from the assumption that all sci-fi starts from an essentially white male point of view and then either does or doesn’t address race. The problem with this approach is that it perpetuates the marginalization of sci-fi that doesn’t

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